writing

Do Drugs Affect Writing?

After a visit to my dealer, I mean doctor, yesterday, I caught a glint of something positive removing the migraine curse I’ve been under for six weeks now. Doc & I have been together ten years and he knows my triggers. Weather, wind, rain, low pressure systems. Also dentist visits. And stress.

Yesterday as I told my tale of woe, he said “let’s wait a week and see if this new weather system will clear things up.” That reminded me of the many friends I have who suffer from seasonal allergies. I don’t. But if I look at migraine like that, it helps.

The problem with writing for me has been the medication. If a migraine gets bad, I can pop up to 7 extra pills a day. I’ve only had to do that twice, but even then, just the migraine stopper alone makes me a little less inclined to write. I can drive a car with one pill. I can teach class with one pill. And I can write with one pill. I just don’t want to.

I’ve heard many writers say they didn’t have the desire to write while taking certain meds. These writers say that while on the drugs, writing doesn’t matter to them anymore. Some of them go off a prescribed drug because they figure out writing matters more than whatever they’d hope to cure with a pill.

I’m working on a book I love, my publisher recently began accepting women’s fiction and my editor gave me the go-ahead to write it. And yet it has been difficult for me to find words these past several weeks. When I don’t write, it’s usually because things get too busy. But that’s not it this time.

I realized today…maybe it’s the medication. My mood has certainly been no ambition, no energy, no sizzle. This morning, I picked up my notebook thinking that at least I could write some morning pages. Even that was a struggle.

I am not saying anyone should stop taking medication. I will continue to pop pills as long as I need them. I am just hoping the weather clears and the migraine disappears. And hey, I wrote a blog post today:)

What is Women’s Fiction?

For my next novel, I’m crossing over from romance to women’s fiction. Although writing romance has been a fun challenge, romance is all about the two. Just like when you’re newly in love, you can’t see or think about anyone but your love. My story drafts have all sorts of point-of-view, many types of relationships, including love stories. Always more than one. Now I won’t have to cut away until the two are left alone on the page.

People ask what the difference is between women’s fiction, chick lit, and romance. For a definition of romance, see above. Now, chick lit and women’s fiction. Those labels are harder to define. It used to be “chick lit is funny and women’s fiction is serious.” or “chick lit is singletons on the town and women’s fiction is settled and sad.” That’s just not accurate. These labels are marketing devices. Chick lit comes in a variety of shapes and sizes. It’s not all white wine and new shoes. Women’s fiction is not all drama and divorce.

We have these labels because marketing people like to know where to slot books to optimize purchases. “Okay, if the heroine is single and in her 20s or 30s, loves to shop, and isn’t ready to settle down, let’s call that chick lit. We’ll do the covers in fun colors with sexy half body shots. That way young single women can buy the books that reflect their lives and experiences.”

When I was in my 20s and 30s I was in college reading the classics, not chick lit. (I’m old, so the label had not been invented yet.) In my 40s, married with children and settled, I became senior chick lit reviewer for the trade magazine RT Book Club. I loved chick lit then, and I love it still. The variety of “chick lit” stories I read, from one about a homeless DJ to another about a newly-divorced and pregnant forty-something, convinced me chick lit was simply fiction for people, probably women, since we buy most of the fiction out there, who like to read novels.

Ditto for women’s fiction. These stories are not all female life or death medical dramas or how to go on after a husband’s betrayal. They don’t always include knitting. Women’s fiction can be funny and chick lit can be serious. Each is often both, all in one story. Many women take exception to the term “women’s fiction” and I don’t blame them. There is no equivalent “men’s fiction” so it’s just another way to put women in their place, behind the male writers.

Truth is, men write romance. They just kill the heroine at the end and everyone says how sensitive and romantic these authors are. Men write “women’s” fiction too. If it’s not sci-fi, fantasy, thriller, or mystery, marketing just calls it “contemporary fiction.” That’s what I write. Contemporary fiction. Suitable for both sexes. And if my publisher wants to call it women’s fiction, I am happy to let them do so, since, as I said, most novel readers are women.

All Is Vanity

I had an idea. I wanted to take my e-novel to the next level and make a print version. My mom always gives cash as birthday gifts, and she is generous. I said “Mom, you’re my publisher.” She said “Oh, I would give you money for both things.” Yes, she is generous to her family, but I said no, it would be my gift to myself just to have that book in a print edition.

My writing pals, Tom, Bob, and Vernie, and I sometimes get into discussions about the difference between self-publishing and vanity presses. It is a fine line, but basically a vanity press will print up a book without edits and send you a thousand copies which no bookstore or library wants and so they stay in boxes in the basement unless you sell them out of your trunk. Vanity press (in these days of self-publishing and indie novelists) is the way of the lazy writer with a lot of cash and not much ambition.

Indie novelists, writers who use their own skills or Create Space or freelancers, are different in that they care about their product and strive to make it the best possible book. They distribute, they market, they network. Such a fine, fine, line. But it makes all the difference. If you have a book that nobody has read except you, and you publish it, chances are nobody else is ever gonna read it. Indie writers embrace craft, critique, cover artists, editors, and other professionals to help polish their work and make the best book possible.

But as I said to my mom “this is just for me” and that’s vanity. One of the definitions of vanity in my Shorter Oxford (isn’t it vain of me to tell you what dictionary I use?) is “desire for admiration.” I think that applies to all people, all the time,  everywhere. Who does not want to be liked? Whatever creative thing we do, if we do it for free, then it’s all vanity and that’s okay. Blogging for ten years is vanity. Teaching is vanity. Calling oneself an artist is vanity. Tweeting is vanity. Publishing any book through any venue is vanity. So too is exhibiting art. Everything is vanity if you think about it. Putting on make up. Combing your hair! Vanity!!

This bit of  a rant has a point, which is the lines in publishing are very blurry right now. If you indie publish a great book that gives joy to others, that is a very different degree of vanity than if you type up your handwritten diary from when you were 16, which you wrote instead of paying attention in English class, and then have it printed at great expense, that’s another level of vanity altogether.

Everything Changes

Had to update my status, as we say on Facebook. After a two day pity party, I’m writing again. And no sugar today. Yet.

Recently received my publishing contract for Blue Heaven. Same publisher, different contract. Not many changes, but the ones I noted were important enough for me to do some negotiating. I’m happy with the way things went and sent the new signed contract in today. Which means, I will be getting edits soon.

I love working with editors. Almost everything they suggest makes my books better and my characters stronger. I’m even starting to think a little bit like an editor. That’s good. The less editing my editor has to do, the better writer I am becoming.

There’s another big change in my life these days: after 27 years in the same house, my husband and I are moving. We’re going from a house to a condo. We’re going from no basement tri-level, to split ranch with a basement. (But also with a first floor laundry.) We’re going from a well-used and much loved home to a brand new (even a little bit bigger) place that we can button up with confidence and leave for extended travel.

My plan is to keep writing through the move. I’ve got a deadline and the clock starts ticking soon.

Don’t Mess With Bill

My dad’s name is Bill. My brother’s name is Bill. My cousin’s name is Will. All derivatives of William, and all beloved by me. Then there’s the other William. My historical crush. William Shakespeare. In my dining room, in a place of honor, I have a shrine with a portrait of a young & sweet looking Shakespeare discovered and authenticated only a decade or so ago in a Canadian attic owned by a guy named Saunders, who, much to his delight, turned out to be a distant relative of the portrait painter.

Then there’s the custom-made bookshelf right under my handsomely framed print, devoted to William’s own works and works about him. Also, sometimes I teach Shakespeare  to college students. Mostly Hamlet, and the sonnets, but also things like Twelfth Night. My friends and I are frequent visitors to the Shakespeare festival in Stratford (Ontario, since we live in Detroit and it’s a couple hours’ drive compared to an ocean voyage for the real thing). Simply put, I’m a fan.

Because I love Bill, I dislike the anti-Stratfordians, those crazy people who think, because he didn’t go to college, Shakespeare could not possibly have written his plays. I dislike that theory more than almost more than any other, even the one about only Catholics going to heaven. I do relish lecturing about why. But this is not a lecture.

It’s a ramble about marketing, in which I seek to talk about what I really love instead of hammering out a press release type marketing blog. I ramble with a purpose. Looks like I’m going to have another book accepted by The Wild Rose Press. And it’s the first in a series. I’ve got a few other half-books going. Tonight I started thinking about how I could cobble pieces of them together for my series. And if my publisher will allow the series to transform from romance to women’s fiction. Lots on my mind. Happy thoughts. Thoughts of Bill, who loved words and ideas and stories.

And thoughts of Rosalind, my favorite Shakespeare character, from As You Like It, my favorite Shakespeare play. Rosalind and her words so wise as she cautions an infatuated suitor: ”I’m not for all markets.” Ha! That means something different in the play than it does for my own marketing, or lack thereof. But when I find a connection to my special William, I take it, however tenuous.

So there it is. Like Rosalind, I’m a writer who is not for all markets. And you know what? That’s okay. She lived happily ever after, and I intend to, too. Despite the fact that there are no pictures in my blog and the title of this entry is not intended to bring in searchers, which I hear are both absolutely necessary for a good post.  I assert again, like Rosalind, I am not for all markets.

Blog It! the author’s guide to building a successful online brand

Molly

Molly Greene

Ever wanted to start a blog? Already have one and can’t get excited about it? Molly Greene’s  power tool of a book is all you’ll ever need. Molly, an author I follow on Twitter, and have reviewed before, sent me an advance copy of Blog It! and I ate it up like brain candy. Which is weird because I’ve had a blog for ten years. Ten years sounds impressive, but after reading Molly’s guide,  it felt as if having a ten year old blog is similar to having a pair of ten year old blue jeans. You want an update every decade or so.

Molly’s book taught me so much. When I read it, I was pretty much blogged out. I’d said everything I had to say about the art and craft of writing and publishing. But Molly re-energized me with her concrete solutions for bloggers in need of new topics. I had to stop reading to jot down ideas for posts, that’s how fast this book works.

Blog It! is easy to follow and packed with pertinent information. Molly gives clear, concise instructions for beginning bloggers and those of us in need of a blog-lift. I’d recommend this book to any blogger, from seasoned pro to newbie to not quite there yet.

Having found (at least) twenty things I want to try,  I’m already implementing Molly’s suggestions, like using widgets to build a tag cloud, adding social media icons, and joining Google+. Don’t let these terms scare you off; if you follow Molly’s step-by-step instructions, their meanings will become crystal clear.

Blog It! teaches more than how to navigate a Word Press dashboard. There are sections on building readership, blogging a book, and how to shoot page views through the roof. But the biggest thing I learned is that you CAN teach an old blogger new tricks.

Emergency Writing Idea

Hello from the land of party after party after party…We have been on the go for several days and today Al is hosting his gang of pals, guys he has known and kept in contact with since high school. They have season tickets to football together and go to the NASCAR race in Michigan in August. He is barbecuing steaks for them and they will play pool for money, listen to loud Led Zeppelin, and drink copious amounts of beer.

I really wanted ONE quiet day at home to write, but it won’t be today.

It is time for emergency measures. I’m taking myself away from the testosterone to the movies, maybe some shopping, certainly dinner for one. Possibly popcorn will be dinner. In the midst of all this I plan to buy a new journal and hole up in Starbucks for some writing time and a latte.

If you are a writer, and you find yourself cranky in this season of good cheer, you are not alone. I am right there with you! The problem is not writing and the antidote is finding a window, even if you have to go to a coffee shop!

 

Discovering Theme

Alice Munro has a new book of stories out. In Dear Life, the final four stories are as close to memoir, she says, that she’ll ever write. I was disappointed when a reviewer mentioned that the quartet takes place when Munro was a young girl growing up on a fox farm in Ontario, Canada. She’s written about that before. What I hungered for were stories about her adult life, her writing life.

Munro is one of the few fiction writers who has been successful with  that short form, bringing out a dozen or so books. I’ve read them all. Twice. But so far, not the new book. Reviews can sometimes dissuade me and one in particular, by Sam Sacks, regarding Munro’s themes, caught me up in surprise. Sacks says that “…her themes are psychological estrangement, spiritual emptiness, sexual degradation and the pitifulness of death.” Sacks goes on to comment that  Munro’s overall take on life, at least in her stories, is “methodical bleakness.”

Wow. I think I probably have a naturally bleak outlook on life, because I love Munro’s stories and think they are beautiful. The writing is elegant and crisp, the stories compelling, but more, her themes strike my soul in a way that Sacks captured through close examination. The review made me think about my own themes. How do I hold up against Munro? Do I love her work because her themes mirror my own? I wish:)

Yes with psychological estrangement, no to spiritual emptiness. I’m spiritually optimistic, but if anything of my spiritual nature translates into fiction, I don’t see it. That’s my loss, and some day, when I’m braver than today, I intend to correct it.

Sexual degradation–yes, I find to my surprise that all of my work has that undercurrent. Somebody somewhere is sexually degrading someone else in my novels. Sometimes they do it to themselves. In The Paris Notebook, that theme was mostly excised from the text by my editor. Later, I used the story of self-degradation as a gift to readers of my blog. Sarah’s Survival Guide can be read right on my website or downloaded as PDF. So that theme was not lost, just placed elsewhere.

My novels are more about life than death, and I have not really explored the theme of death in fiction. I’m still getting used to experiencing it in life–when loved ones die, the grief of it. When they sicken and a sad slide into senility or physical incapacity begins, yes, it is pitiful. I’ve always thought it was more than pitiful, horrific in fact.

Except at a distance, like when Cher’s grandmother dies in flashback in Sister Issues, I don’t feel skilled enough to take on death in my fiction; it’s difficult enough for me to deal with in real life. In real life, I think of it every day. I mourn friends who have passed; I plan my own exit strategy. (Move to Oregon or Washington). Looking deeply into Munro’s stories, I see the shallowness of my own themes. But, also, I would rather write hopeful stories than bleak ones.

Fixing Writer’s Block

How is this for irony? In 2008, I wrote a series on the top ten causes of writer’s block and how to overcome them. I had to go back and read my own recommendations so I could pull myself out of this slump in productivity around the WIP. It’s working for me and I hope, when or if you ever need it, it works for you.

My Ark

I have always written, but I didn’t always know I was a writer. After all, lots of girls kept diaries, and we had a full staff at The Cardinal, my junior high school newspaper.

I became conscious of my need to write when, in high school, I moved from journalism and journaling to poetry. What were these strange verses that fell from my fingers to the page? I kept my poetry hidden, convinced it made me weird. I didn’t trust the creative process; it was like nothing else I’ve ever encountered.

Then I got married and stopped writing. At first, in love and crazy-happy, I hardly noticed. A year went by and no poems formed inside my head, demanding to be written.

I remember thinking, with a kind of relief, “That part of my life is over.” There was a little bit of sadness mixed in, which I ignored.

When our basement flooded, and my husband suggested I toss out all my soggy boxes of juvenilia, something in me said no. I threw away the ruined first diary, and all my drenched to pulp Cardinal clips, but most of the notebooks, somewhat protected by thick cardboard covers, survived.

I borrowed my mother’s typewriter and for the first time, revised my poetry. That shot me back into writing. It made me realize that, gee, I was a writer.

Pregnant with my first child, I wrote my first novel. The main character was, depending on the draft, a misunderstood poetess or a misunderstood songwriter. When I eventually sent my novel to a publisher, a kind editor wrote back, advising that their readers did not care for heroines in the arts.

My first rejection and not my last.

Meanwhile, I divorced, then got very busy raising two little boys as a single mom on a scant secretarial wage. I thought about going back to school, finishing my degree, obtaining a teaching certificate. I’d have every summer to write.

That was the plan, and, with digressions, I pretty much followed it. I won some prizes in college for my short stories, and published poems and stories in literary magazines. I fell in love (again) and married (again).

While my stories won admiration and cash, the novels were less satisfactory, squeezed between teaching duties, summer cottage visits and the demands of a family. I tried on genres like dresses: a literary novel, a mystery, a Regency, a romance.

With sky-high hopes, I sent the romance to a publisher. This editor wrote back to say that she’d liked my query far more than my manuscript. She advised I work on craft. Despite having two degrees in English, I didn’t have a clear idea of what she meant. The colleges I attended were big on symbol and literary style but post-modernly dismissive of plot and conflict.

I decided to take a year off teaching to write. I attended intensive craft workshops, and wrote every single day. I landed a job reviewing fiction for a magazine, and started this online journal you’re reading now.

Five years, three women’s fiction novels, and over a thousand internet posts later, the rejection letters kept coming. I switched from querying publishers to pitching to agents. I went back to teaching.

This time, my local college wanted me to teach creative writing. After a few years of telling young writers everything I knew about character, craft and publishing, I looked at my class notes and said “This is my book.”

And so teaching, the thing that I thought was blocking my writing success, came to be the thing that enabled me meet a cherished writing goal.

I self-published that book and use it in classrooms and the community. After I made my own dreams come true, I signed with an agent who loves my fiction. Now she handles the rejections, so I can get on with my real business: writing.